Wanda M. Corn's long-awaited new book proposes a remarkable revisioning of the history of American modern art between the two world wars. Moving away from issues of style and abstraction, she bases her work on a broad examination of culture and on discourses of national identity. Corn argues that the key questions for interwar modernists in New York and Paris were whether or not it was possible to create an art that was both American and modern, and if it was, what such an art would look like. Both European and American.
Wanda M. Corn The Great American Thing: Modern Art and National Identity, 1915-1935 free
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The Great American Thing: Modern Art and National Identity, 1915-1935 pdf
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